I haven't seen Expelled, and I probably won't, but I've read some reviews of it across the spectrum of thought about design arguments and the particular species of them that people are calling Intelligent Design. It's been a nice occasion for everyone to say pretty much the same old things, with virtually all opponents of ID misrepresenting it pretty drastically amidst a few legitimate complaints and many supporters overstating their case, confusing some of the same basic distinctions ID opponents regularly confuse, and setting up science against religion rather than what the argument itself is supposed to suggest, which is that science and religion are in fact compatible.
So this film has drawn out much of the same nonsense that usually gets thrown around. Yet occasionally some real gem pops up that strikes me as insightful and helpful, and this time around I see that in Mollie Hemingway's wonderful critique of the media coverage surrounding this film. Several interesting points stand out:
1. She notices that the mainstream media have largely ignored this. That seems right from what I've seen. She only cites two examples, one that she doesn't think got the film quite right and the other that even I can see gets it completely wrong.
2. She compares it in style and tone to the strident, ideologically-colored, often fact-challenged documentaries of Al Gore and Michael Moore. Since I've seen none of the above, I can't comment, but it's an interesting suggestion.
3. She points out that Moore and Gore have garnered far more mainstream media coverage, not just of their documentaries, but of the issues their documentaries are about.
4. She also takes note of opinion media's much more substantial treatment of the film, and I think that's even much more obviously true when you take into account blogs (which she doesn't mention).
She doesn't really draw the conclusion that's just begging to be drawn and that I think she's suggesting. Whether a strident, ideological, fact-questioned documentary garners media attention and brings about a significant discussion of a certain issue seems to depend on what it's about or what ideology is behind it. It's unclear which it is in this case, which may be why she doesn't draw the conclusion explicitly. Is it because it's an ideology that's associated with conservatism and in particular religious conservatism? Or is it because of the issue rather than the viewpoint? Would a documentary by Michael Moore on the idiocy of intelligent design have the same no-impact result as this film has had in the major media? Would a conservative documentary starring Ben Stein but on health care or the Iraq war have the same attention Moore got with his films on those subjects?
My suspicion is that the answer is no in both cases, which if true means it's the ideology and not the topic that has made the difference. That doesn't demonstrate the point the documentary aims to make (which is about academic freedom), but it does demonstrate a similar point about which views are considered kosher by the establishment media.